Celebrating fifty years of Star Trek music

Video montages from all of the Trek series and movies were displayed on the 40-foot screen and time to music being performed by a symphony orchestra.

Video montages from all the Trek series and movies display on the 40-foot screen and were synchronized to music from a symphony orchestra.

For my belated birthday gift, my wife bought tickets to the Star Trek Ultimate Voyage Tour. We attended the concert at the Old National Center in Indianapolis on Friday, March 18.

The event featured music from fifty years of the Star Trek, spanning both the TV series and movies.  The scores were performed by a live symphony orchestra and timed to video being projected on a 40-foot screen.

The concert was a treat for the ears and eyes.

The orchestra highlighted the nuances often found lurking in Trek scores. While everyone knows Trek music can be “in your face” — the fight theme from Amok Time comes to mind — the elegant violin and trumpet solos of later Trek music are often overlooked.  The soloists brought the stately and sweeping motifs to life.  The trumpet soloist on the Deep Space Nine Theme was particularly notable.

The digital projection of the video was pretty much flawless, too. The production used remastered and digital copies of the source material. Colors were vivid and scratches and grain were absent. Even darker scenes displayed well, such as those set inside a Klingon ship.   Editing was polished. Instead of lifting entire chunks from the source material, the production combined visual effects sequences, action scenes and dialog into a seamless montages focused on a central themes such as “villains” and “captains.” Michael Dorn, Lt. Worf from The Next Generation and Deep Space Nine, provided a recorded introduction narration for each.

The audience for the event was an older crowd, mostly middle age. There weren’t a lot of costumes, but many had t-shirts or lapel pins. The audience was enthusiastic, especially after one clip from the original series episode The Doomsday Machine in which Kirk finally defeats the planet killer.

The experience rekindled my love of Trek scores, many of which I have on CD. I’m more fond of music from the later years of Trek. James Horner’s score for Star Trek II: The Wrath of Kahn  (KAHHHHHHNNNN!), is a masterpiece. Jerry Goldsmith’s theme for the first Trek movie is better than the movie itself. I’m glad it became the main theme for Star Trek The Next Generation.  Also among my faves are the opening themes for Deep Space Nine and Voyager. And yes, I did like Faith of the Heart for Enterprise, although it is sappy. If you get a chance, check out Archer’s Theme on the Enterprise soundtrack. This was the original theme for that series and is on par with earlier opening themes. Other movie favorites include Generations and First Contact.

Star Trek Ultimate Voyage Tour is visiting 100 cities this year. If you are a Trek fan, I recommend it. It’s a great way to celebrate fifty years of Trek music.